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AQ Feature

Arts Innovator: Francisca Valenzuela, Chile

Frantastic: Valenzuela performs for her fans, the "Franáticos." Photo: Martin Bernetti/AFT/GETTY

Singer. Fashion designer. Entrepreneur. At 27, Francisca Valenzuela has already reached the kind of success usually associated with a professionally managed career. But instead of a top agent or a big record label, the San Francisco-born Chilean artist owes her achievements to a team that includes her mother, biochemist Bernardita Méndez, her boyfriend and artistic confidante Vicente Sanfuentes, and a small, committed staff in Chile that has skillfully used social media—including 275,000 Twitter followers and fans known as “Franáticos”—to spread the word of her talents.

Valenzuela is one of the most engaging examples of a new generation of artist-entrepreneurs who are controlling their own career paths. “I’m not waiting for someone to come rescue me industry-wise,” Valenzuela says, describing how, when her music took off in her late teens, she and her mother purchased Business for Dummies online to understand the fine print in her first contract.

Valenzuela’s early musical success—with a hit single, Peces (Fish) in 2006—came after years of performing in talent shows, but she was never “serious” about music until she started performing on the underground jazz circuit in Chile. She eventually dropped out of the Universidad Católica de Chile, where she was studying journalism, to pursue her burgeoning musical career.

Along the way, she has had two books published, two pop-rock albums that went platinum and gold in Chile, and designed a clothing line for the Chilean brand Foster. Now, Valenzuela develops projects and artistic collaborations through her own company, FRANTASTIC Productions. “We’ve structured an independent enterprise basically run by two people [that’s] competitive with counterparts who have a whole corporate background,” she says proudly.

Valenzuela’s do-it-yourself ethic in the music industry is not the only thing that sets her apart from many of her peers. Valenzuela spent the first 12 years of her life in the United States before the family relocated to Santiago. In fact, Valenzuela’s first book—Defenseless Waters, a collection of poems that she published at age 13 about themes ranging from long-lost love to social injustice to nature—was written in English. “When I was young in the Bay Area, everyone seemed to be doing extracurricular activities, sports, painting, nurturing kids,” she recalls.

Valenzuela’s literary background and political convictions have inspired her songwriting in Spanish. The title song of her latest album, Buen Soldado (Good Soldier, 2011), focuses on the power dynamic between men and women, and she has been an outspoken advocate of sexual diversity and LGBT rights in Chile, participating in gay rights marches since she was 14.

But as much as her Chilean identity has influenced her creatively, Valenzuela returned to California last fall to take the next step in her entrepreneurial journey. This year, she will perform at Lollapalooza in the U.S., Brazil and Chile—and is partnering with the Todo Mejora (It Gets Better Foundation) and Global Shapers of Chile to use her fame as a platform for equality.

“Chile is amazing, but it’s a very small community in terms of who you can learn from and how you can expand,” she says. “It’s great to have a nuclear team, [but] the point of being in L.A. is to meet people and branch out and grow.”

View a YouTube video of Francisca Valenzuela in Viña del Mar, Chile in 2013.


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Any opinions expressed in this piece do not necessarily reflect those of Americas Quarterly or its publishers.
Tags: Chile, Francisca Valenzuela

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